(Am I allowed to reprint a poem on my blog? Anyone know?)
The following poem is taken from Garrison Keillor's Good Poems, my favourite collection of poems I've found yet.
First, let me tell you why I think too many people misjudge and dislike poetry and what I think poetry should be. Then I'll tell you what kind of poetry I like. Then I'll tell you what I like about the poem I'm about to share.
People think poetry, the kind that is lauded, is all old-fashioned language, or full of obscure references, or is esoteric, and therefore hard or impossible or at least tedious to understand. Yes, Shakespeare used words that even people then didn't understand; he made up words! Yes, at a certain point in time it's like having to learn another language. But it's learn-able and if you do, you can enjoy yourself. But you don't have to in order to enjoy poetry. There are all kinds of poetry to be enjoyed.
Also, good poetry does not have to be self-indulgent crap that only the poet understands, with seemingly random line breaks with special offsetting, and bizarre punctuation, and fancy words that don't seem to have a relationship to all the other fancy words used.
My philosophy: If poetry is not written to be understood by most thoughtful people, then it is nothing more than mental masturbation: a one-person sport. "Look at how deep I am. You cannot understand. You are not profound and brilliant like me. I am special."
Good writing lets the reader in. It's a relationship between the writer and the reader. It should be relateable (this is not a word, apparently, but I use it all the time— look at me be all Shakespeare-like) in some way or be so good, so illuminating, that the reader believes she does relate, even if she's reading about something she's never thought of before much less experienced.
Good poetry might not be perfectly understandable at first read-through but you should be able to get the gist. There should be symbolism or hidden meanings, tie-ins between lines and imagery, that's not too obvious. It should be melodic or emotional. I like contemporary poetry because it's less modest, more raw. (I like some Shakespeare sonnets and other such "older" poetry, too. I just prefer contemporary.) I tend to not like rhyming poetry because it's usually going to be at least a little bit forced. Then I feel like the subject was tailored to the form rather than being what drives the poem in the first place.
Garrison Keillor is a warm and talented American story teller. The host of my favourite radio show, Prairie Home Companion, he is also the host of The Writer's Almanac, a wonderful radio segment that he's been doing every weekday for at least since I was in high school. Garrison has read a lot of poetry. So, I was anxious to see what poems he would select for a compilation of "good" poems.
These poems are approachable. Some are so straightforward that Jude asked, "That's a poem?" They are organised by topics: Scenes, Lovers, Death, Language, etc.
Good Poems. It's my new favourite book. It catches my breath, arouses longings for scenes about which I can write, inspires my own hand. It's like soul candy.
The following poem is a tiny bit difficult to understand. It's not complicated but it's not plain. I like trying to figure out why "Late" is on a new line (I think I know) and why he italicised some text. I love the line "with your head dark and wishing" because I feel like know exactly what he meant by that. I am not a morning person by any stretch of the imagination. I like to wake up gradually. I don't want to talk to anyone. I immediately turn on my iPhone or laptop and wake up my mind and mood by checking my email, checking Twitter, checking Facebook. My head feels dark and heavy. It is wishing for sleep, wishing for the dreams I was enjoying, wishing for ease and fantasy.
Then the poet says, "Weren't you duped yesterday?" and I smiled. Yes! Yes, I've felt this. I let myself hope that a day holds promise and when it falls apart or tastes bland, I feel duped.
"Life is some kind of loathsome hag
Who is forever threatening to turn beautiful.
Now she gives you a quick toothpaste kiss
And puts a glass of cold cranberry juice,
Like a big fake garnet, in your hand."
I love this metaphor. I loved the comparison of the cranberry juice and a garnet.
Poem About Morning
William Meredith
Whether it's sunny or not, it's sure
To be enormously complex—
Trees or streets outdoors, indoors whoever you share,
And yourself, thirsty, hungry, washing,
An attitude towards sex.
No wonder half of you wants to stay
With your head dark and wishing
Rather than take it all on again:
Weren't you duped yesterday?
Things are not orderly here, no matter what they say.
But the clock goes off, if you have a dog
It wags, if you get up now you'll be less
Late. Life is some kind of loathsome hag
Who is forever threatening to turn beautiful.
Now she gives you a quick toothpaste kiss
And puts a glass of cold cranberry juice,
Like a big fake garnet, in your hand.
Cranberry juice! You're lucky, on the whole,
But there is a great deal about it you don't understand.


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